Ege \u00dcniversitesi Devlet T\u00fcrk Musikisi Konservatuvar\u0131 taraf\u0131ndan d\u00fczenlenen s\u00f6yle\u015fide, TRT \u0130zmir Radyosu emekli ney sanat\u00e7\u0131s\u0131 ve koro \u015fefi Mahmut Bilki, sanat ya\u015fam\u0131ndaki derin tecr\u00fcbelerini ve T\u00fcrk m\u00fczi\u011finin teknik inceliklerini \u00f6\u011frencilerle payla\u015ft\u0131.<\/p>\n
Ege \u00dcniversitesi (E\u00dc) Devlet T\u00fcrk Musikisi Konservatuvar\u0131 (DTMK) etkinlikleri kapsam\u0131nda, T\u00fcrk m\u00fczi\u011finin ya\u015fayan \u00e7\u0131narlar\u0131ndan, TRT \u0130zmir Radyosu Emekli Ney Sanat\u00e7\u0131s\u0131 ve Koro \u015eefi Mahmut Bilki\u2019nin konuk oldu\u011fu s\u00f6yle\u015fi ger\u00e7ekle\u015ftirildi. Konservatuvar Etkinlik Salonu\u2019nda d\u00fczenlenen programa Ege \u00dcniversitesi Rekt\u00f6r Yard\u0131mc\u0131s\u0131 Prof. Dr. Murat Boyac\u0131, DTMK M\u00fcd\u00fcr\u00fc Prof. Dr. Ali Maruf Alaskan, \u00f6\u011fretim elemanlar\u0131, \u00f6\u011frenciler ve \u00e7ok say\u0131da sanatsever kat\u0131ld\u0131.<\/p>\n
“Sadelik ve teknik ustal\u0131k bir arada olmal\u0131”<\/b><\/p>\n
\u00d6\u011fr. G\u00f6r. Ka\u015fif Demir\u00f6z\u2019\u00fcn koordinat\u00f6rl\u00fc\u011f\u00fcnde ger\u00e7ekle\u015ftirilen s\u00f6yle\u015fide Mahmut Bilki, ney icras\u0131na ili\u015fkin teknik detaylardan makam yap\u0131lar\u0131na kadar pek \u00e7ok konuda \u00f6nemli a\u00e7\u0131klamalarda bulundu. Sanat ya\u015fam\u0131n\u0131n ilk y\u0131llar\u0131na ve TRT\u2019deki kariyerine de de\u011finen Bilki, m\u00fczi\u011fe olan tutkusunun profesyonel bir kariyere evrilme s\u00fcrecini anlatt\u0131. Bilki, \u201cM\u00fczik \u00e7al\u0131\u015fmalar\u0131m\u0131z devam ediyordu. Tabii o d\u00f6nemde art\u0131k belli bir seviyeye gelmi\u015ftik; enstr\u00fcmanlar\u0131m\u0131z\u0131 konu\u015fturuyor, konserlerde \u00e7al\u0131yorduk. Konservatuvarda da ad\u0131m\u0131z\u0131 duyurmu\u015ftuk. Bu s\u0131rada TRT\u2019de, istisna akdiyle misafir sanat\u00e7\u0131 olarak tasavvuf m\u00fczi\u011fi programlar\u0131 ba\u015fta olmak \u00fczere \u00e7e\u015fitli programlarda g\u00f6rev almaya ba\u015flad\u0131k. Bu s\u00fcre\u00e7te de\u011ferli dostlar\u0131m\u0131zla birlikte canl\u0131 yay\u0131nlar yapt\u0131k, saz eserleri icra ettik. Performans\u0131n sanat\u00e7\u0131n\u0131n geli\u015fimine ger\u00e7ekten \u00e7ok b\u00fcy\u00fck bir katk\u0131s\u0131 oldu\u201d diye konu\u015ftu.<\/p>\n
Fas\u0131l k\u00fclt\u00fcr\u00fc ve geleneksel icra<\/b><\/p>\n
S\u00f6yle\u015fide g\u00fcn\u00fcm\u00fczde s\u0131k\u00e7a kar\u0131\u015ft\u0131r\u0131lan “fas\u0131l” kavram\u0131na da a\u00e7\u0131kl\u0131k getirildi. \u0130zmir\u2019de fas\u0131l denilince akla gelen ilk ustalardan biri olan Bilki, modern d\u00f6nemdeki yanl\u0131\u015f alg\u0131lara dikkat \u00e7ekti. G\u00fcn\u00fcm\u00fczde sadece \u015fark\u0131lar\u0131n arka arkaya dizilmesinin fas\u0131l olarak adland\u0131r\u0131lmas\u0131n\u0131n eksik bir yakla\u015f\u0131m oldu\u011funu vurgulayan sanat\u00e7\u0131, fasl\u0131n kendine has bir kurgusu, hiyerar\u015fisi ve k\u00f6kl\u00fc bir gelene\u011fi oldu\u011funu belirtti.<\/p>\n
Etkinli\u011fin sonunda, T\u00fcrk m\u00fczi\u011fine sundu\u011fu katk\u0131lar ve g\u00fcn\u00fcn an\u0131s\u0131na Mahmut Bilki\u2019ye, Ege \u00dcniversitesi Rekt\u00f6r Yard\u0131mc\u0131s\u0131 Prof. Dr. Murat Boyac\u0131 taraf\u0131ndan te\u015fekk\u00fcr belgesi takdim edildi. Program, kat\u0131l\u0131mc\u0131lar\u0131n usta sanat\u00e7\u0131yla hat\u0131ra foto\u011fraf\u0131 \u00e7ektirmesinin ard\u0131ndan sona erdi.<\/p>\n
<\/a>\n\t\t\t<\/div><\/figure>