{"id":36543,"date":"2026-10-15T06:24:00","date_gmt":"2026-10-15T06:24:00","guid":{"rendered":"https:\/\/egeajans.ege.edu.tr\/?p=36543"},"modified":"2026-10-15T07:27:10","modified_gmt":"2026-10-15T07:27:10","slug":"mavi-kelebekten-amerikada-cifte-zafer","status":"publish","type":"post","link":"https:\/\/egeajans.ege.edu.tr\/index.php\/2026\/10\/15\/mavi-kelebekten-amerikada-cifte-zafer\/","title":{"rendered":"\u201cMavi Kelebek\u201dten Amerika\u2019da \u00e7ifte zafer"},"content":{"rendered":"

Ege \u00dcniversitesi Sa\u011fl\u0131k, K\u00fclt\u00fcr ve Spor Daire Ba\u015fkanl\u0131\u011f\u0131 personeli Alper Akdeniz, senaryosunu yaz\u0131p y\u00f6netti\u011fi \u201cMavi Kelebek\u201d filmiyle Amerika\u2019dan iki \u00f6d\u00fclle d\u00f6nerek ba\u015far\u0131lar\u0131na bir yenisini daha ekledi.<\/p>\n

Ege \u00dcniversitesi Sa\u011fl\u0131k, K\u00fclt\u00fcr ve Spor Daire Ba\u015fkanl\u0131\u011f\u0131\u2019nda g\u00f6rev yapan y\u00f6netmen Alper Akdeniz, yazd\u0131\u011f\u0131 ve y\u00f6netti\u011fi \u201cMavi Kelebek\u201d adl\u0131 k\u0131sa filmiyle Amerika Birle\u015fik Devletleri\u2019nde d\u00fczenlenen iki prestijli festivalden \u00f6d\u00fclle d\u00f6nd\u00fc. Mobil Film Festivali ve New York\u2019un Brooklyn b\u00f6lgesinde d\u00fczenlenen M\u0131s\u0131r-Amerikan Film Festivali\u2019nde \u00f6d\u00fcle lay\u0131k g\u00f6r\u00fclen film, Akdeniz\u2019in kariyerindeki toplam \u00f6d\u00fcl say\u0131s\u0131n\u0131 37\u2019ye \u00e7\u0131kard\u0131.<\/p>\n

Film hakk\u0131nda bilgi veren Alper Akdeniz, \u201cFilmimiz, bir okulun bombalanmas\u0131yla ba\u015flayan ve sava\u015f\u0131n y\u0131k\u0131c\u0131 etkisini \u00e7ocuklar\u0131n g\u00f6z\u00fcnden anlatan sars\u0131c\u0131 bir hik\u00e2yeyi konu al\u0131yor. Enkaz\u0131n alt\u0131ndan \u00e7\u0131kan k\u00fc\u00e7\u00fck bir k\u0131z\u0131n \u00e7\u0131\u011fl\u0131\u011f\u0131yla havalanan mavi bir kelebe\u011fin, y\u0131k\u0131k sokaklar\u0131n \u00fczerinden s\u00fcz\u00fclerek bir \u0130sa heykelinin avucuna konmas\u0131yla ba\u015flayan s\u00fcre\u00e7, izleyiciyi derin bir vicdan muhasebesine davet ediyor. Filmde; Rio\u2019dan \u015eanghay\u2019a, Paris\u2019ten Nagasaki\u2019ye d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki heykeller canlanarak sava\u015f\u0131n kalbine do\u011fru y\u00fcr\u00fcy\u00fc\u015fe ge\u00e7iyor. Merhametin, y\u0131k\u0131m\u0131n kar\u015f\u0131s\u0131nda ta\u015ftan bir orduya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc bu anlat\u0131da, silahlar erirken bombalar havada toza d\u00f6n\u00fc\u015f\u00fcyor\u201d dedi.<\/p>\n

Bombalar\u0131n susturdu\u011fu \u00e7ocuk sesleri tekrar duyulsun<\/strong><\/p>\n

Filmin \u00e7\u0131k\u0131\u015f noktas\u0131n\u0131 ve vermek istedi\u011fi mesaj\u0131 de\u011ferlendiren y\u00f6netmen Akdeniz, \u201cMavi Kelebek\u2019i, bombalar\u0131n susturmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u00e7ocuklar\u0131n sesi duyulsun diye yazd\u0131m ve y\u00f6nettim. Bir okul y\u0131k\u0131ld\u0131\u011f\u0131nda yaln\u0131zca duvarlar \u00e7\u00f6kmez; bir \u00e7ocu\u011fun yar\u0131na dair kurdu\u011fu hayal de enkaz\u0131n alt\u0131nda kal\u0131r. Yar\u0131m kalm\u0131\u015f bir resme, bir daha a\u00e7\u0131lmayacak bir deftere bak\u0131n; sava\u015f\u0131n ger\u00e7ek y\u00fcz\u00fc oradad\u0131r. G\u00f6ky\u00fcz\u00fcn\u00fc sava\u015f u\u00e7aklar\u0131yla doldurabilirsiniz ancak bir \u00e7ocu\u011fun yar\u0131m kalan hayat\u0131n\u0131 hi\u00e7bir zaferle \u00f6rtemezsiniz. D\u00fcnyan\u0131n b\u00fct\u00fcn silahlar\u0131 yan yana gelse, bir annenin bo\u015f kalan kuca\u011f\u0131 kar\u015f\u0131s\u0131nda kimseyi hakl\u0131 \u00e7\u0131karamaz\u201d diye konu\u015ftu.<\/p>\n

D\u00fcnyan\u0131n vicdan\u0131n\u0131 kelebe\u011fin kanad\u0131na y\u00fckledim<\/strong><\/p>\n

Filminde kulland\u0131\u011f\u0131 fantastik unsurlar\u0131n asl\u0131nda toplumsal bir ele\u015ftiri bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 vurgulayan Akdeniz, \u201cFilmimde ta\u015f heykelleri aya\u011fa kald\u0131rd\u0131m; \u00e7\u00fcnk\u00fc ya\u015fayan insanlar\u0131n bir \u00e7ocu\u011fun \u00e7\u0131\u011fl\u0131\u011f\u0131 kar\u015f\u0131s\u0131nda nas\u0131l bu kadar k\u0131p\u0131rt\u0131s\u0131z kalabildi\u011fini soruyorum. D\u00fcnyan\u0131n ta\u015f\u0131maktan ka\u00e7t\u0131\u011f\u0131 vicdan\u0131 bir kelebe\u011fin kanad\u0131na y\u00fckledim. Film bitti\u011finde herkesin kendine \u015funu sormas\u0131n\u0131 istiyorum: Ta\u015f bile bir \u00e7ocu\u011fun sesini duyarken, ben ne zaman bu kadar sa\u011f\u0131rla\u015ft\u0131m? \u00c7ocuklara bomba ya\u011fd\u0131ranlar unutmas\u0131n ki, kibirle y\u00fckselttikleri saltanat bir g\u00fcn alt\u0131nda kalacaklar\u0131 enkaza d\u00f6n\u00fc\u015fecektir\u201d diye konu\u015ftu.<\/p>\n

Uluslararas\u0131 festivallerde b\u00fcy\u00fck ilgi g\u00f6ren \u201cMavi Kelebek\u201d, teknik altyap\u0131s\u0131yla da dikkat \u00e7ekiyor. Filmin yapay zek\u00e2 teknolojisiyle \u00fcretilen g\u00f6rsel sahneleri Og\u00fcn Do\u011fru\u2019nun imzas\u0131n\u0131 ta\u015f\u0131rken kurgu \u00e7al\u0131\u015fmalar\u0131 Yaman Ad\u0131yaman taraf\u0131ndan ger\u00e7ekle\u015ftirildi.<\/p>\n